It sure is great getting back to these flashback posts!

July 7th 2007 was an extremely busy day for wedding photographers everywhere. 7-7-7 was just too good a date to pass up for all that souvenir wedding swag. But I wasn't really photographing weddings professionally yet. So I found myself at a familiar stomping ground photographing an even more familiar band: Three Day Threshold led by my former boss in Northeastern's mail room Kier Byrnes. While I only took a few "good" photos, this certainly will not be the last you see of TDT!

To The Masquerade: An Introduction


Blog readers, meet To The Masquerade: by far the constant of my early photography career. It was through TTM that I could always gauge how I was progressing as a photographer - both artistically and professionally. From their first shows where I was being paid by just being on the list and maybe a beer after the show, to a couple years later where I was their personal photographer paid in actual money for live shows, album/promo artwork, and more...

But I'm getting ahead of myself. 

This chapter of my photographic history all started on a cloudy Thursday night halfway through 2007 at a small Northeastern campus club called Afterhours. I was working at a local camera store and had "borrowed" Tokina's new 11-16mm f/2.8 for the night. It was my first foray into ultra-wide photography and truthfully I had no idea what I was doing! I also borrowed Canon's iconic 70-200mm f/2.8 IS (the "White Whale") but predominately explored life in about 150º.

The results?: Lots of slow(er than I should have been hand holding) shutter, lots of questionable compositions, but an admittedly fun show and a pretty cool impromptu band shoot after the show as a bonus. It can only get better from here right?

 Enjoy the first of what will be at least a 12-part series in the much too short lived reign of To The Masquerade.

Back Behind The Lens: Chelsea

I've been getting back behind the lens recently and booking sessions for the first time since my wedding. Helping me get back on the wagon is my friend Chelsea. Here's a sneak peak at her portrait session. More to come soon!

The Best Advice I've Ever Received

In my opinion there are two functions when taking a photo:

  1. To capture a moment in time (preservation)
  2. To produce technically sound, artistic images (creation)

Most of the time I walk the line between these two purposes. There are times when I have the opportunity to arrange subjects, or position my camera in such a way as to capture light in an attractive or unique way. Yet my favorite images are those that have combinations of technical prowess and candid emotion. The only way to even begin to master this exercise is to practice; that is, take lots and lots of photos!

Perhaps the best photography advice I've ever received is, "always have a camera with you, you never know when you're going to need it." Certainly this is an easier task in 2014 with iPhones in our pockets, but in 2007 the iPhone was a novel, albeit revolutionary, concept and digital cameras were not yet ubiquitous. 

As I continue to comb through old photos on long ago forgotten hard drives I have seen countless examples of images that are the direct results of following this advice and carrying my SLR with me everywhere! Tonight's flashback is quite simple, and yet so sincere. It comes from July of 2007, just weeks after the aforementioned first iPhone was released (I was still sporting a blue Palm Treo 755p).

One of my oldest and best friends, Todd, had invited me out to meet his new girlfriend, Leyna. Todd and Leyna are now married with two beautiful children (I'm sure we'll see their wedding in subsequent blog posts) but I couldn't have known that at the time when I captured a simple candid moment of their blossoming love. It's not the greatest photo I've ever taken. It might not even be a "good" photo from a technical perspective. But it captured a significant moment that establishes its importance as time goes on. So, captured a moment in time? Check. Technically sound, artistic image? Still a work in progress. But most importantly is it a successful photo? I'd say so.

Todd & Leyna

Sydney: An Introduction to Portraiture



Pro Photography Tip: It's good to have beautiful friends.

By the Summer of 2007 I was really beginning to appreciate portrait photography and began seeking out any and all willing participants to model for me. The next year of my life found me alternating between portraiture and photographing bands and musicians; eventually leading to me opening my photo studio -- but I'm getting ahead of myself. Here's a small gallery of my friend Sydney from her North End apartment, almost 7 years ago.

The Smith Wedding


Saturday, August 11th 2007 - Cape Neddick, Maine

One of my best friends Caleb was getting married and I was excited to try out my new camera. It was a beautiful, casual, outdoor wedding on a sweltering August day. Looking through some of these photos I was still encountering my fair share of technical foibles, such as standing in my own light and casting a shadow on my subjects. Or using too fast an aperture for a multi-subject capture; forgetting that depth is a plane too! (I think this was my first shoot with my new 50mm ƒ/1.4 lens, and I didn't quite realize how shallow depth of field could be when compared to my 28-105mm ƒ/3.5-4.5). My command skills in directing groups of people were also still developing, due to lack of confidence most likely. But I know I'm often too critical of photography, specifically my own. I am quite proud of many of these images, specifically the series towards the end of the wedding during the cutting of the cake where the bride and groom both smashed cake into each others' faces. So I present to you, selected images from The Smith Wedding...

Blue Hills Music Clubhouse


DORCHESTER -  (2007)

The best job I've ever had was in college. I wish I had known that back then! It was my first (and only) co-op job while I was at Northeastern University. I was the supervisor for a brand new after school music program starting in Lawrence, MA called the Lawrence Music Clubhouse. Basically I was paid to play music with kids ages 8-18 after school 3-4 days a week. It was fantastic! But as all good things must come to an end, I moved on after my 6-month internship and went back to school. I did, however, stay in close contact with the clubhouse's founder Gary Eichhorn. A few year later, when I heard there were other clubhouses opening I jumped at the chance to help.

The gallery below features some of my favorite images from a day at the Blue Hills Music Clubhouse in Dorchester. I'm happy to report that there are now TWELVE music clubhouses throughout Massachusetts! Providing opportunities for children to connect with and experience music is something I'm extremely passionate about. For more information check out their website (www.musicandyouth.org)...you might see some familiar photos.

T.T. The Bear's Place

By mid-Summer 2007 I was consistently bringing my camera to concerts around the area. It was at these shows where I first learned that I really didn't like having to use a flash (I still don't). Perhaps that's where my "snobbery" for fast (>ƒ/2.8) lenses comes from. Quite simply I've always preferred capturing the ambient light of a moment, versus providing my own - rather unnatural - light. By the end of the Summer I would purchase my first Gary Fong Lightsphere, which helped with this plight immensely and aided in my eventual embrace of flash photography in both dimly lit environments as well as for fill light. But I'm getting ahead of myself...

This particular gallery is from a quaint little bar and nightclub in Cambridge, MA called T.T. The Bear's Place. I spent a good chunk of my childhood attending shows at either T.T.'s or The Middle East Nightclub (on the same block) as it was only a short walk (or more often even shorter bike ride) from where I grew up. This particular bill was extra special as it featured native Cantabrigian Natti Vogel opening for my incredibly talented step-sister Anna Vogelzang and her band.